Dia Batal’s calligraphy explores the meaning of migration

Tracing Landscapes @ The Mosaic Rooms - Dia Batal | Photo: Andy Stagg
Tracing Landscapes @ The Mosaic Rooms - Dia Batal | Photo: Andy Stagg

Spatial designer Dia Batal uses the art of Arabic calligraphy to transform text into objects, which seek to engage audiences in contemporary issues of identity and belonging. The Mosaic Rooms present a special exhibition of her new multimedia works for London Design Festival. In this exhibition, Batal not only re-envisions this traditional art but also conventional architectural forms and objects.

Suspended in front of one of the gallery windows, the designer has created a Mashrabiya, a window screen customarily wooden and ornamental in form. The designer’s fragmented interpretation is designed to act as a memorial for the Palestinian children killed by Israeli strikes in Gaza in summer 2014. Playing on the Beach is a Dangerous Course features embroidered panels, using cross-stitch traditional to Palestinian embroidery, with the individual names of 30 victims taken from the records of the over 500 deceased. Dedicated to the four boys killed on the beach, the piece examines shifting rituals and mourning spaces in times of conflict. Tactile, delicate, and ephemeral, subject to temporal changes in light and shade, this impermanent commemoration creates space within a threshold, a possible place of remembering.


Playing on the Beach is a Dangerous Course, 2015 by Dia Batal |The Mosaic Rooms © Photo: by Andy Stagg

Ideas of home and belonging are looked at in two new pieces in metal. Using text taken from the poetry of Mahmoud Darwish, Batal explores the meaning of place in an age of migration and immigration, of moving here but coming from there. One work draws inspiration from navigational tools such as compasses. She creates an object that points to home, a device to determine a psycho-geographical direction, a bearing full of both intent and longing. Through the artworks, home is also signified as an internal orientation, one that we guide to remain on our own course of belonging.


I am from there, 2015 by Dia Batal | The Mosaic Rooms © Photo by Andy Stagg

This is further examined in the new multimedia work done in collaboration with Maya Chami, in which the story of Batal’s grandmother is unfolded through the fragmented narratives of a journey of displacement. Forced to leave her home in Palestine, and never able to return, this is an emotive animation that examines the significance of involuntary departures from a homeland, and how and where the idea of home can remain after such conflict.

By looking back the designer is also projecting forward. In an attempt to create a learning resource for her own child, who is growing up in a geographic location different to the one in which she was raised in, she retraces and portrays elements of recalled landscapes. In a series of silkscreen prints Batal uses alphabet posters to remember the towns and cities of Palestine before 1948; in another she celebrates the birds of the Arab world.


To a Bird…,2015 by Dia Batal |The Mosaic Rooms © Photo by Andy Stagg


Alphabets of the Arab World, 2011 to 2012 by Dia-Batal | The Mosaic Rooms © Photo by Andy Stagg

Dia Batal was born in Beirut, Lebanon, in 1978 where she studied design, before moving to London to complete her MA in Design and Critical Practice at Goldsmiths College. Her work has been shown in collective and solo exhibitions in Beirut, Manama, Amman, Paris, Liverpool and London. Batal has also worked on a number of community outreach projects for institutions such as British Museum, V&A, Iniva and The Mosaic Rooms amongst others. She is based in London.

Tracing Landscapes
Dia Batal
9 – 27 September 2015
Exhibition Open: Tues-Sat, 11am-6pm, FREE
The Mosaic Rooms, 226 Cromwell Road,
London SW5 0SW


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